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这座城
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该剧讲述了一个大家庭和四个年轻人被斯卡和双音音乐的世界所吸引的故事。斯卡和双音音乐于70年代末和80年代初在考文垂和伯明翰的基层爆发,将黑人、白人和亚洲青年团结在一起。它预计将于1981年在一个巨大的社会紧张和动荡的时刻开放。在这样的背景下,它讲述了一个故事…
比克拉姆:瑜伽、大师、性侵犯
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《比克拉姆:瑜伽、大师、性侵犯》审视了颇具争议的高温瑜伽创始人比克拉姆·乔杜里跌宕起伏的一生。20 世纪 70 年代初,乔杜里从印度加尔各答来到比弗利山庄,他很快就拥有了一批名人追随者,并打造了全球健身帝国,这为他带来了巨额财富。但直到 21 世纪 10 年代,随着大量性侵指控的出现,以及有关他充满攻击性、类似邪教的训练环境的故事浮出水面,诉讼开始增多,乔杜里的非法教学风格成为头条新闻。Netflix 原创纪录片《比克拉姆:瑜伽、大师、性侵犯》由奥斯卡金像奖得主伊娃·奥尔纳(《开往暗处的的士》《避难亦遭难》)执导,萨拉·安东尼(《神山》《反叛者》)担任制片人,讲述了那些打倒乔杜里的女性的故事,并针对这门疗愈性学科如何在帮助人的同时给许多人带来伤害这一问题,探索了其中的矛盾。
守夜人:恶魔永世同在【影视解说】
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In Nightwatch the sequel, Emma, a medical student, takes on a nightwatch job in the forensic department. And it is no coincidence. Since the fatal night-30 years earlier, when psychopathic inspector W?rmer almost killed Emma's parents, who were saved at the very last minute by their friend Jens, her family has been haunted by this horrific memory. Her mother Kalinka, actually c...
魔鬼的陷阱
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.   The Devil's Trap is a film directed by Franti?ek Vlá?il, based on a novel by Alfréd Technik, adapted by Franti?ek A. Dvorák and Milo? Kratochvíl. It was the first of three historical dramas ...
谜误
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藩王兵临城下,小皇帝周肃文依靠"移魂之术改头换面,苟且偷生。在山亲的生活中,周肃文身为王者的责任感以及正义感被唤醒,最终选择挺身而出,阻止天下大乱的浩劫发生。
水印街
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/ 文晏/
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《水印街》讲述了一段忧伤的爱情故事,一对年轻人从相识到相爱,被一场突如其来的误会打乱爱情步履,又在迷茫中重新审视彼此,重建信任。该片以独特的视角探讨了在一个高速发展的现代社会里人与人、人与社会的关系。
毁灭战士【影视解说】
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影片根据1993年同名射击游戏改编而成。   2145年火星舰队总部接到从该地区传来的微弱求救信号,而在那里科学探测站正在进行着遗传密码破解的重要实验,一旦该地区失去控制,无疑将会造成整个人类的一场大劫难。特别行动队队长瑞博尔(卡尔·厄本 Karl Urban 饰)、士官长萨吉(道恩·强森 Dwayne Johnson 饰)带着六名队员迅速登陆以救援基地内的幸存者,可当他们进入基地时,发现实验室不仅一片狼藉,而且实验室里满是怪物。更可怕的是,这些行为怪异的生物并非来自外星,而是受到某种未知病毒感染后的人类!面对随时可能被感染的危险,萨吉必须和他的队员们利用手中的每一件武器,深入到实验室中心,找出真相,完成他们的使命。RRTSRTS惟一可以做的是把通往地球的通道用免疫隔离系统封锁,再背水一战,用尽身上每一件终极武器,将这班魔怪一一歼灭……
少女法哈【影视解说】
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Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry.  It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake.  A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination.  In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.