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改编自屡获殊荣的传奇电视剧,是一部史诗级电影版续篇。在这部影片中,一个可怕的连环杀手在伦敦肆意横行,而才华横溢却声名狼藉的侦探约翰·路德(伊德里斯·艾尔巴饰)则被关在监狱里。由于未能抓住此刻对他落井下石的网络精神病患者,路德决定不惜一切代价越狱完成这项工作。这部电影的主演还包括辛西娅·艾莉佛、安迪·瑟金斯和德尔莫特·克劳利,德尔莫特·克劳利将再次饰演马丁·申克。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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约亨沃尔特是德国银行的一名资深投资银行家,与其助手汤姆·斯莱扎克刚刚完成一笔大单。庆功会上约亨却突然跳楼自杀。全球范围内有多起银行家自杀的案例的情况下,外界纷纷猜测约亨的自杀原因,甚至有人怀疑是他杀。约亨的妻子对银行推卸责任的说法很不满,称约亨自杀前留下一封遗书,其中有涉及约亨真实死亡原因的银行保单。汤姆对其突然死亡也表示怀疑,天台拍摄到跳楼过程的摄像头也被移走。到底是自杀还是谋杀。
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母亲去世的消息传来,令女孩帕斯林(斯嘉丽·约翰逊 Scarlett Johansson 饰)回去乡下老家,没想到在母亲留下的旧屋住着两个古怪的人,一个是落魄文学教授鲍比·朗( 约翰·特拉沃尔塔 John Travolta 饰),是个衰老、邋遢的酗酒男人,和打算为他写传记的学生兰森(盖布瑞·马赫特 Gabriel Macht 饰)。三人暂时居住在一起,从鲍比·朗的口中,帕斯林听到许多母亲的过去,也让她找到母亲曾经的情感——这个始终写歌、最终吸毒过量去世的母亲,生命中的情歌都是写给谁的。新奥尔良乡下的悠闲足以让时光静止,这个老男人身上已经看不到将来,年轻的帕斯林渐渐不堪忍受这一切,也慢慢发现自己和鲍比·朗真正的联系……
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青春的岁月多彩而惆怅,成人的世界则充满失落和无奈。15岁的男孩帕尔(Rolf Sohlman 饰)平时在父亲(Bertil Norström 饰)的修车行帮忙,偶尔还要和家人去看望住在疗养院、倍感孤独的爷爷。女孩安妮佳(Ann-Sofie Kylin 饰)拥有一个推销冰箱总是失败却高傲无比的父亲(Bertil Norström 饰),还有一个美丽但却因个子太高无法成为空姐的阿姨(Anita Lindblom 饰),这些成年人心中的失意远远大于他们人生所得。 相反正处在青春期的帕尔和安妮佳则躁动、奔放。两个孩子在疗养院的露天派对上邂逅,慢慢走到一起,帕尔因被大孩子揍了一顿假装对安妮佳不理不睬,但是青春的焰火其能就此熄灭?他们最终重归于好,共同品尝着幼稚的爱情之果所带来的青涩和甜蜜…… 本片获柏林电影节金熊奖提名及国际评论奖、UNICRIT奖、IWG Golden Plaque奖、瑞典哥德堡电影节最佳影片金奖等4个奖项。
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一名松露猎手(凯奇饰)独自居住在俄勒冈州的野外,当他心爱的觅食猪被绑架后,他必须前往波特兰,带着自己被抛弃的过往,去拯救那只猪。
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一名松露猎手(凯奇饰)独自居住在俄勒冈州的野外,当他心爱的觅食猪被绑架后,他必须前往波特兰,带着自己被抛弃的过往,去拯救那只猪。
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讲述马泰尔饰演的男孩Paul跟父亲住在纽约乡下,过着与世隔绝的生活,因为患有稀有的天生多毛症,身上很多地方会长出长长的毛发,Paul很难交到朋友。而13岁生日那天,他收到一份神秘礼物,因此逃出了家门,想去寻找自己从不知道是谁的母亲。