搜索"1972" ,找到 部影视作品

生死狂澜
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因发电厂筑坝施工,卡胡瓦西河将要变为湖区而消失,路易斯(伯特·雷诺兹 Burt Reynolds 饰)、艾德(强·沃特 Jon Voight 饰)、波比(尼德·巴蒂 Ned Beatty 饰)和德鲁(罗尼·考克斯 Ronny Cox 饰)四个爱好冒险和自然的好友结伴,计划在周末前往卡胡瓦西河漂流。四人在即将成为湖区的萧条小镇找到向导,终于抵达河岸,简单准备后就开始了冒险。第二天早上,试图打猎的艾德一无所获,在强壮敏捷的路易斯面前颇感无趣,与胖子波比先行下河探路,然而他们遇上了两个持枪的陌生人,对方将他们控制并施以侮辱,路易斯赶到后将陌生人杀死。四人匆匆逃离此地,此时,河水变得狰狞,激流与岩石处处致命,一场冒险之旅成为了夺命之旅……
玛丽的白色连衣裙
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”Candelabra-bearing Evelyn Stewart and her guests have a procession through an old basement filled with festive costumes and spirits of death.“
狂凶记
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理查德是一名飞行员,退伍后,他在一家酒吧打工,认识了同事芭芭拉(安娜·玛西 Anna Massey 饰)并与之相爱。性格粗暴的理查德同老板发生口角后被开除,身无分文的的只得投奔前妻布伦达(Barbara Leigh-Hunt 饰)。布伦达经营着一家婚姻介绍所,她友善的接待了理查德并偷偷的在他口袋里塞了一些钱。没想到几天后,布伦达在介绍所中被她与理查德共同的朋友鲍伯(巴里·福斯特 Barry Foster 饰)玷污并用领带勒死,原来鲍伯就是伦敦臭名昭著的领带勒杀狂魔。  布伦达死了,理查德成了最大的嫌疑人。为了将更大的罪嫌推到理查德身上,鲍伯又趁机杀死芭芭拉,一时间理查德成为了全城通缉的对象,最终落网。负责此案的奥克斯福德(埃里克·麦克文 Alec McCowen 饰)觉得事有蹊跷,经过夫人的提点,他发现真正的罪犯已经露出了马脚。
慑魄惊魂
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1:...And All Through the House  这个故事讲述一名在圣诞前夕谋杀了自己丈夫的女子正在处理尸体之际,曾在广播中报道过的一名有着强烈杀人倾向并乔装成圣诞老人的模样变态却逃窜到她家附近,而这时的她却无法报警....  2:Reflection of Death  一名男子为了私奔,不惜抛妻弃子,深夜与情人驾车逃离本来的居处,可是在路上却发生了令人异想不到的恐怖事件,这个故事十分精彩,后期的《小岛惊魂》,甚至是《死神来了》等很多恐怖片的灵感来源都可以在这个故事里得到充分体现  3:Poetic Justice  讲述两名冷酷势力的父子,为了赶走他们一向讨厌的邻居,用尽残忍冷酷的手段而逼死他人并最终得到报复的故事,这个故事非常传统,剧情也几近老套,但是由于老牌演员Peter Cushing那令人惊叹,入木三分的表演而提高到了另一个层次,让观众深深为故事里那位受尽排挤,但却善良孤独的老人而同情悲愤。
大黎明
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吳宇森《縱橫四海》的原型。阿倫狄龍今趟「改邪歸正」,首次飾演執法者警探高文,為了搗破毒品交易,查案至海邊一個寧靜小鎮,邂逅上美豔的嘉菲(嘉芙蓮丹露)。可惜俊男美女的故事並不是快樂的保證,因為美人兒原來是販賣頭子兼老友的情婦。兩位好友一黑一白,愛上同一個女人,面對友情和愛情,該如何抉擇?梅維爾的簡約主義在本片盡情發揮,精要的對白、短促的場景、極少量的配樂,甚至連阿倫狄龍的演出也比其他電影更為內歛。開首一場械劫案,冷冽得來逼力甚強,借風借雨,營造氣氛,場面調度之精緻,絕非一般的類型片所及。梅維爾在影片拍攝期間已經抱恙,本片也成為導演的最終回。
吸血鬼马戏团
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此片不同于以往的 Hammer 吸血鬼的故事模式,描写由吸血鬼化身而成的巡迴马戏团来到一个已经遭受诅咒与疫情的村落,并且带来灾难的故事。此部片的故事背景设定在19世纪的塞尔维亚,这些如吉普赛人般的马戏团成员事实上都是会变身的吸血鬼。
冰刀
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This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
飞向太空
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心理学家克里斯•凯尔文(Donatas Banionis 饰)在飞往索拉瑞斯星之前来到儿时的父母家与当年的索拉瑞斯飞行员亨利•伯顿(Vladislav Dvorzhetsky 饰)见面。伯顿警告凯尔文索拉瑞斯星上会有不可思议的奇事发生,但后者并不以为意。凯尔文离开前,当 着父亲(尼古莱•格陵柯Nikolai Grinko 饰)的面焚毁了自己的个人物品。凯尔文到达索拉瑞斯星附近的太空站后,对科学家奇巴瑞安博士(Sos Sargsyan 饰)之死进行调查,却发现自己多年前已经去世的妻子哈莉(Natalya Bondarchuk 饰)竟突然出现。惊慌失措的凯尔文与太空站上的科学家们讨论该如何面对怪事,却发现原来每人都深受其扰,不明就里……  本片被提名1972年戛纳电影节金棕榈奖,并获同年戛纳电影节评委会大奖和国际影评人协会大奖。
人口零增长
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In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).
那夜四次
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这个导演十分可恶,先极尽勾引诱惑之能事,逐步升级,把你搞得遐想连翩,简直都要控制不住了,然后兜头一盆冷水,一下浇灭了你的热情如火,让你不禁质疑起自己的性心理——我真的如此丑陋?真的不能把别人当作有人格的人来尊重,而只把他们当成欲望的工具?我的欲望本身难道不是丑陋的吗?  他其实在抨击现代传媒方式,是媒体把人们变成了这样——我要满足我要爽,而这并不是生活的真相,真正的美好常常与爽无关。  虽然手法有些恶劣,但其实,他是想要传达一些信息,帮助你改善自己的生活。