搜索"1983" ，找到 部影视作品
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Adela是一名充满同情心的罪犯辩护人，一直坚信人性本善，罪恶的是社会。然而她最近的辩护被告偷了她的车，在车内找到了她乡村别墅的钥匙并计划了一次盗窃。不幸的是丈夫在这次入室盗窃中意外身亡。这让她陷入理想与现实的纠结痛苦中，殊不知噩梦才刚刚开始……
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家庭主妇唐娜（Dee Wallace 饰）和另一个男人斯蒂夫（Christopher Stone 饰）有染，当她决定中止这段关系的时候，斯蒂夫却报复性地将他们的关系透露给唐娜的丈夫维克（Daniel Hugh Kelly 饰），夫妻关系顿时陷入僵局。某天，维克以公务之名离开，唐娜则带着5岁的儿子泰德（Danny Pintauro 饰）来到某汽车旅馆居住。 汽车旅馆老板的儿子布莱特（Billy Jayne 饰）有一条名叫古卓的圣伯纳犬，古卓偶然被蝙蝠咬了一口，竟由此变成嗜血如命的凶残恶犬，它开始向唐娜母子发起了攻击…… 本片根据史蒂芬•金的同名小说改编，并荣获1987年葡萄牙奇幻国际电影节观众评委会奖。
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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Childhood friends Tommy and Tuppence meet in London after having served in World War I. Recently demobed, short of money, and with no job prospects, they decide to become adventurers for hire. Soon, they are employed by the British Government to locate a secret treaty signed before the war.