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四个女人分别嫁给了四兄弟。一个夏天在等待丈夫回家休假的过程中，四人分别述说了各自的婚姻状况。一个因自己红杏出墙引致与丈夫争吵，一个在巴黎与一个艺术家相恋并有了孩子但却拒绝结婚，一个讲述了夫妻俩被困电梯的故事，最后一个则要与情人男友私奔。 伯格曼用室内剧的形式将女人们内心的秘密一一暴露出来，然而影片也强调这并不能减轻她们的压力和痛苦。这样的分享带来的只是苦难的交流和更难言的秘密。
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Young university student Hugo (Gustav Lindh) falls in love with promising violinist Agnes (Evin Ahmad), but something happens that changes his life completely. Moving on, the story turns into a romantic drama-comedy with great portions of humour and warmth, as Hugo ends up at Circus Margôt and is drawn into that absorbing existence.
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Hampus and Adrian's relationship has gone down increasingly destructive paths and during one fateful discussion it all ends. Hampus and Adrian are no more, but in some way they have to go on living. A healing process divided into stages of desperate attempts to reunite as well as rebounds, which sometimes push them further apart and sometimes closer together.
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青春的岁月多彩而惆怅，成人的世界则充满失落和无奈。15岁的男孩帕尔（Rolf Sohlman 饰）平时在父亲（Bertil Norström 饰）的修车行帮忙，偶尔还要和家人去看望住在疗养院、倍感孤独的爷爷。女孩安妮佳（Ann-Sofie Kylin 饰）拥有一个推销冰箱总是失败却高傲无比的父亲（Bertil Norström 饰），还有一个美丽但却因个子太高无法成为空姐的阿姨（Anita Lindblom 饰），这些成年人心中的失意远远大于他们人生所得。 相反正处在青春期的帕尔和安妮佳则躁动、奔放。两个孩子在疗养院的露天派对上邂逅，慢慢走到一起，帕尔因被大孩子揍了一顿假装对安妮佳不理不睬，但是青春的焰火其能就此熄灭？他们最终重归于好，共同品尝着幼稚的爱情之果所带来的青涩和甜蜜…… 本片获柏林电影节金熊奖提名及国际评论奖、UNICRIT奖、IWG Golden Plaque奖、瑞典哥德堡电影节最佳影片金奖等4个奖项。
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Britt-Marie, a woman in her sixties, decides to leave her husband and start anew. Having been housewife for most of her life and and living in small backwater town of Borg, there isn’t many jobs available and soon she finds herself fending a youth football team.
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High school intrigues and pulsating eroticism at a boarding school where it’s straight to be queer, in a stylistically impeccable film adaptation of Kristofer Folkhammar’s successful novel. The school year at St. Sebastian has just started and a group of friends expectantly drop into the school area that is exclusively populated by queer guys. The much-desired Charles enters into secret sexual power games orchestrated by the strict school master, who is tortured by memories from a time long before the erotic acceptance that prevails at the boarding school. When the competition for admissions to the prestigious singing event harden, friendships crack and the utopian existence begins to fall apart piece by piece. Based on Kristofer Folkhammar’s novel of the same name, inspired by high school films and gay porn, The Schoolmaster Games illustrates a world where sexuality is free, but power games simmer beneath the surface.
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Atka Natas is a secret agent from the oppressive regime of Liquidatzia. He visits his estranged wife Vera, a chemist who is involved with a group of exiles trying to smuggle their compatriots out of Liquidatzia. Almkvist, an honest local policeman and former lover of Vera's, contacts her while investigating the death of one of the refugees. Natas has a list of agents operating in the host country and wants to sell them to the Americans. However before he can do so, Vera tries to kill him, after an argument about getting her parents out of Liquidatzia.
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在1946年，神情不安的芭蕾舞演员Rut陪伴他的丈夫Bertil结束了环意大利的学术访问，回到了瑞典。他们在巴塞尔(瑞士西北部城市，在莱茵河畔)的旅店房间里和火车上发生了争吵，他们把食物扔给了窗外饥饿的德国难民。无意间，他们听到了几个瑞典牧师关于婚姻的几句妙语，最终他们两人重修和好…… 在电影主题方面他延续了伯格曼早期电影当中性别对抗以及对婚姻关系的质疑。Rut和Raoul交往的失败以及所导致的不育是剧中关系网的死结，而她后来和丈夫Bertil的结合又产生了Bertil原来的情人Viola的悲剧，这所有一切扭结在一起就像漩涡吞没了生活中的激情。当时伯格曼和她第二任妻子Ellen闹离婚，本片可看作是伯格曼对婚姻的自况。 还有很重要的一点是，《三》是伯格曼早期电影的新尝试，这部电影并不是由故事情节进行推动，而是用人物的心理状态作为电影内部节奏起承转合的离合器，密闭的车厢为人物的情绪主导发挥提供了大舞台。这为他后来更深入的探索奠定了基础。
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纽约平淡的一天，临近退休的老警探杰克?莫斯利（布鲁斯?威利斯 Bruce Willis 饰）却接到了一个吃力不讨好的任务：穿行16片街区，护送一名犯人上法庭作证。
这本该是件极其轻松的事，从警局到法庭的车程只有15分钟，唯一的麻烦看上去也只是罪犯艾迪（茅斯?达夫 Mos Def 饰）滔滔不绝的废话而已。然而事实却远不止于此，一次针对艾迪的暗杀行动让杰克发现了幕后的真相：所谓的上庭作证不过是个幌子，真实的情况是以警局同僚、老朋友弗兰克（大卫?摩斯 David Morse饰）为首的一批腐败警察，借杰克护送艾迪的机会铲除污点证人。经历内心的挣扎后，杰克为了寻求心中的正义保护了艾迪，却成了纽约警局的众矢之的。16片街区的距离，从来也不曾如此漫长过……
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Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.