西奥多西亚·思罗克莫顿（Theodosia Throckmorton，又名西奥）是两位勇敢的埃及考古学家的14岁女儿，她于1906年在国王谷（Valley of the Kings）进行挖掘。当西奥和她的弟弟，发明狂亨利，偶然发现了一个隐藏的坟墓和一个神秘的神器，“荷鲁斯之眼”，西奥打开了看到和执行真正的魔法的能力，从而发现了一个充满神秘和危险的全新世界。现在，在她父母的家里，世界著名的传说和古物博物馆，在爱德华伦敦市中心，西奥必须与古老的力量、黑暗魔法和喜剧混乱作斗争，因为她和亨利，以及他们的朋友、街头魔术师威尔和埃及公主萨菲亚，试图在青少年生活中生存，通过教育和。。。拯救整个世界。

Ellie, a recovering drug addict, has just moved to a new city with her two teenage children. She has struggled to stay sober in the past and is determined to make it work this time, finding a stable job and regularly attending her meetings. Unfortunately, new friends, a new job, and the chance of a new life, can't keep Ellie from slipping once again. Her life changes when she meets Christopher - a different kind of addict - which forces her daughter and son to accept a new version of Ellie.

即将失去抚养权的父亲，逼不得已成为模范父亲，用“坏”的方式教育女儿，笨拙又无条件。从不正常的家庭应对现代生活的反映，上升到了社会议题。有别于传统的法国喜剧。。。。

奥托是一个不喜欢旅行的人，如果不是女儿安娜意外中奖，获得去非洲旅行的机会，他连自己所居住的城市都不会迈出一步。在学校里，安娜的同学们总是在讲放假的时候又去哪里旅行了，可是安娜每个假期都是与父亲待在家里。这次意外中奖令安娜心花怒放，尽管奥托非常不情愿，并且希望已经过世的妻子能在冥冥中让安娜改变主意，但安娜自有办法。在安娜的一再坚持下，父女俩终于踏上了前往非洲的旅程。坐飞机对奥托就是一件苦差事，到了非洲，扑面而来的热浪，当地的各种动物，尤其是非洲的食物更令他无法忍受，使他指不起旅行的兴趣。他们的旅伴也不合他的胃口，一个比一个让人讨厌：艾尔维娅嘴里总是在不住地说，她的同伴汉斯·赫尔曼不停地在拍照片，油滑贪婪的艺术品商人约翰更上让他觉得格格不入。唯一令奥托感到欣慰的是，女儿安娜从来也没有象这次这么开心高兴。这时候发生了一件令人意想不到的事。旅行团参观当地的一个小村子，这是他们第一次真正与当地的居民接触。这个部落的酋长刚刚去世，部落的人正准备举行仪式选举新的酋长。约翰和老酋长的儿子密谋夺取酋长的位置，阴差阳错，在仪式上被选中的恰恰却是奥托！可以想象，奥托当时的想法就是马上回家，越快越好，但是当他的脚就要踏上返程的飞机时，他对非洲的印象，他的整个生活完全发生了变化。促成这种变化的可能是安娜，可能是部落的居民，也可能是部落美丽聪明的公主芬达。

影片以1993年在巴黎18区发生的一起警察暴力的真实事件为背景：一名警察在巡逻期间枪杀了一名17岁的扎伊尔少年Makomé M'Bowolé。而在影片当中，巴黎街头，一群反政府青年。纠纷由其中一人被警察殴打重伤而起，众人怀恨在心。文兹（文森特·卡塞尔 Vincent Cassel饰）弄到一把真枪，决心还以颜色。他们的仇恨与愤怒随处可见，这场与警察之间的大规模冲突，一触即发。混战中，文兹被警察开枪打死，他的同党也颤抖着对准了警察的头，枪声响起……无论是警察还是街头混混，每个人都失去了控制。这青春期里的不安与躁动，就像失控的怒火一般，无人幸免。 导演马修·卡索维茨荣获第48届戛纳电影节(1995)主竞赛单元最佳导演奖。

故事主要聚焦在一个早熟的男孩和他的选择性缄默的兄弟身上。在家庭因毒品贩子的干预而瓦解后，两兄弟开始了一场关于爱、救赎和报复的冒险。

三个死党合力创造了一个名为瑞奇·斯坦尼克的虚构人物，当他们需要制造不在场证明时，瑞奇就会出场。

　Carrying on the legacy of her deceased Belgian paternal grandfather, Lucy Sweet is the master chocolatier at How Sweet It Is in the Midwestern town of Watson Corners, the store which she owns and operates with her widowed mother, Helen Sweet. In this new year, they are facing a massive rent increase, which they can only cover by increased business in what is their busy season in the lead up to Valentine's Day or risk closing altogether. In the unwitting help of Lucy's best friend Serena and their new employee Georgie, whose social media posts are increasing the shop's exposure, Lucy and Helen believe the way out of their financial predicament is the chocolate cupid, a confection which was originally only given/sold to friends and family in the legend that eating it will lead to true love for those whose hearts are open to it. Lucy had long created a wall in the shop featuring the many couples who attest to their love happening after eating the cupid, one being Helen herself and her now deceased husband, Scott Sweet. Helping or hindering that exposure is the arrival of reporter Dean Chase of Channel 55 News, who was given the assignment of covering the legend of chocolate cupid by the station's news director, Nora Nguyen. The issue with Dean is that he is renowned for his no holds barred exposés, he only given this assignment by Nora to help him show the network brass that he's not a one trick pony in being considered for a job he really wants as a news anchor for their Chicago affiliate's morning show. Dean's initial inclination is to call out the fraud that is the cupid in he truly believing it to be such, he changing his tune if only in the goal of the promotion. All this added exposure does the trick of the needed increased revenue, with the question being whether Dean is converted as he and Lucy spend time together and start to fall for each other. This item may be tested as Nora wants this extended assignment to culminate on Valentine's Day with Dean eating a cupid on camera, a long term arrangement with Lucy which may be incompatible with his professional end goal of a job in New York City. It may also test Lucy's commitment as she admits to never have eaten a cupid herself not so much in fearing love, but what comes after love, namely pain and heartbreak as witnessed by the extreme grief experienced by Helen when Scott died.—Huggo