《修女传》由四度夺得奥斯卡金像奖的导演弗雷德·金尼曼执导，是奥黛莉·赫本的代表作之一，曾荣膺奥斯卡最佳影片等八项提名。 　　女主角嘉比雅（奥黛丽·赫本 Audrey Hepburn 饰）投身修道院，学习教会的戒律变成璐克修女。其后被送到医学院学习当护士，毕业后派到非洲的比属刚果服务。在那儿她认识了无神论的医生福图纳提，引起了她对宗教信仰的质疑。不久璐克生病，病后被送回比利时，当时正值二次世界大战爆发，医院旁炮声隆隆，修女们却不顾个人安危继续工作。比利时沦陷后，璐克参加了敌后工作，爱心使她无法保持修道者的沉默和自制。当她听到父亲被杀害的消息时，撤去了她修女的誓愿，请求还俗退出了修道院。

With the help of her friends, Emily moves to a remote home to take better care of her brother, Zack who is diagnosed with cerebral palsy. But what they don't know is that the house kept a terrifying secret that will haunt them one by one.

Follows the making of the Pixar "Lightyear".

有一种女人，也许并非天生丽质，但却能因为创造美丽而风韵永存、百世流芳；有一种女人，不相信整容和表面眉眼的漂亮，却因人格独立、自信一生，而精彩九旬；有一种女人，不沉迷于名牌与昂贵，却能因慧眼独具而点石成金，让自己的名字成为最响亮的品牌；有一种女人，一生无后，但有爱侣终生相伴，互相欣赏生命紧扣；有一个女人，从白宫到富商巨贾，从艺术圣殿到百姓家屋，她都曾用自己独特的品味，让所装饰之处绚烂无双。本片讲的是一生打扮美国、装点自己，年过九旬依旧走在时尚的顶尖，用生命实践与创造美丽传奇的一代时尚造型设计师、收藏家——艾瑞斯·阿普菲尔的故事。

A cloaked figure slips into an exclusive psychiatric clinic and murders one of the female patients. Meanwhile, various sexuals liaisons are revealed. The mystery killer continues with his massacre he beheads a nurse with a scythe, pushes a chauffeur into a spiked “Iron Maiden”, strangles an older female patient, kills a nymphomaniac with an axe, and shoots a lesbian through the neck with a crossbow. Doctor Clay and the police set a trap for the killer using one of the attractive female patients as bait. However, they are not prepared for the onslaugth that follows…

One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice character to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

暂无剧情

大卫在童年挚友杰克的邀请下，到圣卡利石窟进行最后一次的洞穴冒险。当晚，他们围在营火旁，向导向他们简短解说有关圣卡利石窟的传奇，第二天一早，这群兴致勃勃的年轻人便迫不及待投入这项冒险的活动，但是却有一群邪恶的末知生命在黑暗中窥伺着他们。一个队员在石窟里与众人走散，却被神秘的生物杀死，他手中的油灯落到含有硫磺的地面上，甲发爆炸，造成石窟塌陷，这些探捡队员也被困在洞里。为了寻找出口，队员分头进行探索工作。萨拉进到石窟深处的狭缝里，赫然见到一双闪亮鬼魅的眼睛正注视着她。在无尽的黑暗中……

Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.