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敌对维度
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讲述了两位纪录片制作人决定调查一位涂鸦艺术家的失踪事件。随着调查的深入,这两位制作人遭遇到了一扇诡异的凭空出现的木门,这扇门引领他们穿梭于不同的空间,同时开启了一段黑暗的噩梦之旅。本来只是调查失踪事件的两人很快便意识到,自己陷进了超乎想象的可怕旋涡之中...
风骚律师第二季
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故事紧接上季结尾,阿布奎基(Albuquerque)律师Jimmy McGill遭到哥哥Chuck的背叛,于是回到伊利诺伊州的家乡西塞罗(Cicero)与童年死党Marco(Mel Rodriguez)一起策划一系列诈骗诡计。他们成功了,但Marco在他们最后一次干脏活时突发心脏病。Marco死后,Jimmy回到了新墨西哥州,他的人生似乎有了新的意义。他拒绝了圣达菲(Santa Fe)一家大型律师事务所的工作邀请,朝着刑事辩护律师「Saul Goodman」的方向迈出了一大步,他「清白正直」的日子一去不返。他的转型……已然开始。但是制片人反复强调,你不会在本季看到一个完整的Saul Goodman,「Jimmy McGill才是该剧的灵魂人物」,「我们要描述的是他的故事」,「我们不会这么快和他道别」。  Jimmy本季有许多事情要做,包括修复与哥哥Chuck(Michael McKean)的关系。Chuck始终不相信Jimmy是一个合法的律师,并且阻止自己的Hamlin Hamlin McGill律师事务所雇用Jimmy协助调查一起大案。Chuck是个荣誉感很强的人,他爱弟弟,但他不容许他破坏自己的事业和生活——即便有时他不得不承认自己的做法对Jimmy来说有点太过分。  观众将进一步了解Mike Ehrmantraut(Jonathan Banks)的个人生活。当费城侦探跑来向他质询一起双重谋杀案时,他被迫雇用Jimmy做自己的法律顾问。这起谋杀案是真实的,Mike当年为了复仇在费城杀死了两名警察,但他绝不是恶意杀人。Mike将发生一些显著的变化,但那些变化起源于小事情。  Jimmy和Mike都在朝着《Breaking Bad》中的标志性角色发展,这期间少不了许多「彩蛋」。本季还会有不少闪进情节,观众将看到「Saul在《Breaking Bad》结束后的生活」(准确地说,Cinnabon的Gene),还有「到目前为止最年轻的Jimmy」。一些观众在《Breaking Bad》首季中见过(但是之后再也未见到)的角色将在本季亮相。当然,还有观众熟悉的一些人。此外,Jimmy是个天生的「问题解决者」,他将帮助许多新角色摆脱困境。他还将遇到一个大人物Clifford(六届艾美奖提名获得者Ed Begley Jr.),他手中掌握的权力能让Jimmy诸多梦想变为现实……只要Jimmy付得起他的价钱。Clifford表面上看起来慈祥和蔼,让人很乐意和他待在一起。可一旦任何人触犯了他的利益,必将遭遇灭顶之灾。除了继续与Chuck关系紧张之外,Jimmy与Kim的矛盾也日渐升级(但是Jimmy与Kim的私人关系也变得更加纠缠不清)。你还应该特别留意Jimmy与Davis和Main的关系、Jimmy与Mike的关系。  转自天涯小筑
玩偶1968
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The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).  The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.  This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.  Plot  As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)